MACK, 2022. First edition. Swiss bound paperback with sillkscreen printed gauze on spine, 282 pp., 18 gatefolds, with 2 paper stocks, 480 x 600cm poster inserted into back cover, 245 x 320 mm. Text by Marina Chao, Renee Gladman, Catherine Lord, Ariana Reines. Design by Morgan Crowcroft-Brown.
Inspired by Valerie Solanas’ iconoclastic feminist tractSCUM(Society for Cutting Up Men)Manifesto,SCUMB Manifesto introduces us to photographer Justine Kurland’s own uncompromising initiative: the Society for Cutting Up Men’s Books. This volume presents a collection of collages Kurland created by cutting up and reconfiguring photobooks by male artists, as she went through the process of purging her own library of roughly 150 books by straight white men that have monopolized the photographic canon. The nature of collage — heterogeneous, pulled apart, shape shifting, disrupted, cyborg, fantasy — has long made it a feminist strategy in life and in art.Kurland's ritual is restorative and loving: each work is a reclamation of history; a dismemberment of the patriarchy; a gender inversion of the usual terms of possession; and a modest attempt at offsetting a life of income disparity. While markedly different in style, the defiant female visions pictured in these compositions are a continuation of those depicted in Kurland’s earlier photographic projectsGirl Pictures(1997–2002) andMama Babies(2004–07). Each work inSCUMBsounds an electrifying call for freedom — the freedom to create, to destroy, to imagine, and to reshape our visual and social world.
‘A quantum leap in Kurland’s practice … It might just be as sharp and clear-sighted a skewering of the male canon ... as you’ll ever witness.’ AnOther