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Sam Contis
Day Sleeper

Photographs Dorothea Lange

Edited by Sam Contis

Design by Julian Bittiner

MACK, 2020

First edition

OTA-bound softcover with jacket

Unpaged, b/w illustrated throughout

170 x 240 mm

ISBN 978-1-912339-64-8

Item #9525

0.800 9525 EUR 30.00 Add to Cart

In this book Sam Contis presents a new window onto the work of the iconic American photographer Dorothea Lange. Drawing from Lange’s extensive archive, Contis constructs a fragmented, unfamiliar world centred around the figure of the day sleeper – at once a symbol of respite and oblivion. The book shows us one artist through the eyes of another, with Contis responding to resonances between her and Lange’s ways of seeing. It reveals a largely unknown side of Lange, and includes previously unseen photographs of her family, portraiture from her studio, and pictures made in the streets of San Francisco and the East Bay. Day Sleeper will be featured alongside other works of Contis’ in the exhibition Dorothea Lange: Words & Pictures at the Museum of Modern Art, February–May 2020.

"A collection of pictures so contemporary in feel, it's difficult to reconcile them with the Lange we know" – Wall Street Journal Magazine

"Untethered from the heavy responsibility of telling the stories of people in dire situations, [these photographs] delight in the texture of cotton shirts and weathered hands, more ambivalent and playful than [Lange's] state-sponsored work."  The Independent

"Day Sleeper is a poetic monochrome image of an America in flux today bartered through the eyes of Lange’s 1930s Depression Era work. In this, Contis asks us to bear witness to a new interpretation of not only Lange, but also America itself after nearly one hundred years have passed after the original Farm Securities Administration work was made. In this regard, the work is not simply a soft re-examination of historical time, but rather it is a propagandized position that asks us to consider authorship, race, but also economics and America itself." Brad Feuerhelm in ASX

Read more:

ASX (review)

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