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Jacob Aue Sobol
Arrivals and Departures (SIGNED)

Photographs by Jacob Aue Sobol

Text by Charlotte Praestegaard

Design by Rafal Lochowski

Leica Gallery Warszawa, 2015

Second edition


50 pp. , 40 b/w illustrations

230 x 315 mm

ISBN 9788393579815

Item #0176

0.450 0176 Sold Out

Arrivals and Departures - Behind the scenes with Jacob Aue Sobol (video)

It was a trip I had always wanted to take; The legendary journey along the Trans Siberian Railway. Denmark, my native country, you can cross in five hours by train, but in Russia the distances are huge. I was curious if the connection between people and places would feel different considering the fact that I would pass every tree, every house and every village on my way to Beijing.

The first chock came already when I entered the train. It was completely empty. The whole idea of the project had been to meet people on the train and make intimate stories from the train compartments. But riding this ghost-train, I had to change the concept.

The intimate work had to come from my encounters with people in the cities and the train became the read thread connecting Moscow, Ulaanbaartar and Beijing. On the train I ended up with my camera glued to the window photographing the change of landscape as we were let along the russian forests, the mongolian desert and through the mountains to Beijing.

But it was not only Russia, Mongolia and China that was unknown land to me - so was my equipment. It was my first time using a digital camera. Everything was new, but then again, my ambition is always the same; to use the camera as a tool to create contact, closeness and intimacy. I want to meet people, to connect with the cities, to make the places mine, even if it’s just for a short while.

Every time I start a new project, I start shooting in color, because I am afraid to repeat myself, but later I realize that it is not really something I can make a rational decision about. If I can't emotionally connect with my images, if I can't feel that pinch in my stomach, they mean nothing to me, and so I always return to b/w and find my voice again.

Working with black and white has always been the most direct way for me to reach more existential questions. In black and white I feel my images are not bound to a specific location or time. They create their own universe.

I like to think they are about something else and more than just what they show. At least that's my ambition; to focus on our emotions and a state of mind that is not defined by how we look or where we come from, but on the things that connect us and make us dependent on each other. -- Jacob Aue Sobol

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