"I found America a very colour-conscious country,' he said. 'Colour is very much part of their culture, and they use it in crazy ways. You look down Madison Avenue at lunchtime and the colours just vibrate." — Tony Ray-Jones
American Colour 1962–1965 is a carefully edited selection of previously unpublished Tony Ray-Jones colour photographs from the earliest period of his work. Taken from the extensive archives held at the National Media Museum in Bradford by Liz Jobey, this book brings together the early experiments that would inform his later work.
Ray-Jones arrived in America in 1961 on a scholarship to Yale to study graphic art and he returned to England four years later. It was in America that he learned to be a photographer. Among New York’s street parades, on Fifth Avenue, in Times Square, Chinatown and Little Italy he learned to extract individual moments from a crowded backdrop and to find order in the chaos of the street. Based in New York, he made trips across the country – west to Detroit, south to Florida – all the time making colour pictures alongside the black and white images for which he would later became known.
Ray-Jones later referred to these early photographs as ‘isolated sketches’, and they were clearly a part of his formative experience. At the time colour was considered vulgar and not the medium of serious photography, but for Ray-Jones it expressed the excitement of America in a way that black and white could not.
"In a wonderful intro to this little gem, Liz Jobey mentions that these rarely seen early color photographs were what Ray-Jones referred to as "isolated sketches." Later recognized for his beautifully jaded black-and-white documentary style, Ray-Jones' influence on photography was enormous, before his decade long career ended abruptly due to leukemia. Here we are given the opportunity to step inside the head of a rapidly developing young British photographer in the early 60s as he explores the U.S., in color no less." — Michelle Molloy, TIME